quality late-night balearic grooves, erotic soundtracks and slow disco reworks is what you can expect from this this new label on the map. for the first release, holdtight provides us with a hedonist four tracker : his personal retake of agawa s -l.a nights- on a1, a sensual love anthems on a2 with - my love don t come easy-, a tropical infused retake of baltimore on b1 and an underground french disco-boogie gems. it s the perfect companion for a tasty selection and happy diggers. don t sleep on this one.

more cut n paste action aimed straight at late nite disco dancefloors! fully organic authentic reworks of known and unknown classics a1 - partytime a modern rework of a paradise garage classic. tonight its partytime people! a2 - wicked and lazy the seminal dance track is given a rough n ready makeover with the original vocal line now underpinned by a loose disco funk groove with subtle brass stabs and woozy funk guitar. wicked and lazy indeed. b1 - aint no cruel intentions two dancefloor classics collide in this edit which combines the power and irresistible vocal hooks of beth s confession of indifference with the hypnotic calling card groove of the khan staple. b2 - jubilation the s&g folk classic is a guaranteed party-starter and now it s been beefed up with a proper disco beat and a refrain to die for. pure end of the night, hands in the air bizness.

following the late night swing of javonntte’s hm002, hardmatter uncovers another detroit talent for their third offering: malik alston. in his first vinyl release in several years, the rebirth ep explores a spiritual jazz soundscape with all of the verve of the city’s trusted sound. beside the soulful ballad of “love changes” featuring evan on guitar, the record’s lead song, “i am”, focuses on malik’s signature instrumentation and live improvisation. the track is a seven minute collaboration between craig huckaby, howard wazeerud-din ii and hardmatterís own zapata, who complement malik’s gospel-inspired vocals, the first time he has sung on a track in four years.

12” on split-coloured black & white vinyl. reissue of ultra-rare 1983 hip-hop masterpiece co-produced & with artwork by the late jean-michel basquiat. the last 500 ever from the limited edition 3000 piece run is now available!

this is already our seventh deep love compilation and we dare to say our most complete yet in sound and flow. the ten pieces on this sampler blend in perfectly with that laid back late summer mood. we are very pleased to welcome yet again some new acts to dirt crew with the likes of jaxx madicine, ouer, times are ruff and s3a. we cross many borders not only in genres but also country wise. from the heavy disco sampled jam by french producer s3a to the jazz and funk laden epos of the italian 3 piece jaxx madicine over to the dutch deep house boys times are ruff who are well known from their, same named, label and finally to the berlin duo ouer who also run an own label and released with our good friends at heist recordings, delivering an ecstatic electronic floating tune here. this is all completed by some excellence from long time dirt crew artists. 25 places have been with us for many years now and their two eps have gotten so much love from the deeper deep house community. here they drop an epic almost idm techno like tune that closes this great album in the best possible way. our icelandic stall wart felix leifur drops a heavy hitter named buster. after his recent bobby donny ep earlier this year we are thrilled to have him back on dirt crew! harry wolfman and ponty mython need no introduction really, they are adding electro/ disco/ electronica fuelled cuts that form a great middle part to this mix of tunes. harry going in very smooth and relaxed, something else than his usual house workout which we really loved to present to you

the fourth release on anna walls label marks sunrom s debut. i am not inspired with the daylight he says. i prefer the night to the day. everything is peaceful and people are asleep. it gives me a feeling to be alone, especially when its really late. it is perhaps the peaceful surroundings of saint-german-en-laye in france, where romain nouhi aka sunrom resides that has encouraged his creative wandering. the city is a quiet place not far from paris, with a beautiful chateau and forest surroundings. the ep kicks off with spirale delightfully uplifting and playful, weaving colourful melodies intricately together. pray takes a more pensive and wistful turn. on the flip copenhagens paxton fettel has remixed superfly full of feel-good piano riffs. the final cut is dj normal 4s version of u doing, a dreamy breaks number that wouldnt sound out of place in the golden era of uk rave. i have a passion for stars and the cosmos, discovering new sounds is like discovering new stars- sunrom.

the first release on standards & practices since the widely acclaimed remixes of talker’s “battle standards” ep (by surgeon / regis / broken english club) from late last year, “live from frankfurter strasse” represents the first recorded collaborative effort from jonathan krohn (stave, also 1/2 of talker) and jan grebenstein (downwards, horo).
limited edition on white vinyl.

the first release on standards & practices since the widely acclaimed remixes of talker’s “battle standards” ep (by surgeon / regis / broken english club) from late last year, “live from frankfurter strasse” represents the first recorded collaborative effort from jonathan krohn (stave, also 1/2 of talker) and jan grebenstein (downwards, horo).
standard edition on black vinyl.

bade records launch the first vinyl release on the label, with a four-track ep by label co-founders brothers black and tape fear.2x2 series 1 is a split vinyl, showcasing the individual styles of the duos. brothers black kick off the a1 with extrasensory, a shimmering tool with luscious, uplifting pads and a looping lead. their second contribution on the a2, late night call, is a driving euphoric weapon, perfect for the early hours of the morning. on the other side, tape fear showcase their unique sound for the first time. jump system, the lead track, provides a complex blend of old-school breaks, euphoric pads and vocal samples that will be received well in any setting. turn that thing off offers something different with a fierce 808 groove and unsettling acid lead, perfect for the early hours.

as well as manning his own label duro, theus mago can be found slinging out heat on turbo, kill the dj and more recently ombra. the mexican producer returns to home turf for his latest transmission, serving up one original track with two killer remixes. -inertials- is a rowdy beast in its original form, tapping up a breakbeat roll, dirty wave synth stabs and plenty more sonic debris for a cut that spans a whole lot of styles and makes them gel together seamlessly. inigo vontier takes the original and makes it into a bone-rattling drum track to batter the crowd into submission very late on in the dance. jamie paton takes a different approach on the b-side, weaving a little tenderness into the mix with some elegant synth lines that offset the raw bite of the drums beautifully.

spice 1 is an undisputed west coast legend, who first hit the scene after the n.w.a. and closer to home too $hort explosion of the late 80s. as history showed, he continued that bloodline with finesse and authority. his nasal flow is menacing and strong, and fans have been consistently captivated by his hood tales since his self-titled debut in 1992. if you want thematic range with your mcs, spice isn’t that dude he is all about crime tales and the perils of ghetto life. and he attacks that storytelling sweet spot with each new cut. spice 1 boasted four singles by the time it was all said and done, and breezed to gold status on the strength of cuts like the catchy east bay gangster, the heartfelt tales and truths of welcome to the ghetto, and the thick, grooving in my neighborhood. he even produced the alcohol-themed 187 proof, another of the albums singles, and the hands-down cleverest vocal outing on the lp. sonically, the backdrops on spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy 70s samples and he sounds strong on top of both. break yourself is fueled with an electro-funk drive, 1-800 spice brings reggae flavor, and peace to my nine gets chunkier, with a well-placed p-funk one nation under a groove sample. presented here on official retail vinyl for the first time since its initial release 26 years ago, spice 1s debut holds the test of time and carries the california gangsta flag with pride. some colors just don’t fade.

one of firecrackers founding fathers returns once more, this time shoving two fingers up to current dj conventions smashing out a 150 bpm electrofunk hybrid. on the flip, two deeper cuts traversing ambient wormholes and reflecting that classic linkwood sound. ultimately, a miscellany of unique, syncopated weirdo sounds, barely orbiting the outer regions of dance music or, depending on how you look at it, three timeless cuts designed for the dance floor, the sofa and all points in bethween.

cabaret du ciel was an electronic research project based on atmospheric ambient and harmonic textures. luigi morosin explores electric guitar soundscapes while andrea desiderà, fascinated by synthesizers, navigates into melancholic notes. eu based label manufactured by late-night rec. melodic, cold, pop, hybride sentimento diffuses music for atmospheres. the ethereal side of synthesizer sound.

pleasure planet is the latest musical venture of kim ann foxman alongside andrew potter and brian hersey, and enables the trio to express and explore their unique and eclectic musical tastes. their first release will drop on the brand-new firehouse imprint, self:timer. “pleasure planet is an extraterrestrial doomsday cult. they do whatever they want and their music is their message to planet earth. self:timer is their messenger. the rest doesn’t matter.” — pleasure planet pleasure planet has been a little while in the making. having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. pleasure planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

kerri chanler , adesse versions, dj deep, matrix, demuja & more

slamming deep house with funky & disco moments
the „will you be there ep” completes the „christophe salin - ep series“. he is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „to love” is what it’s all about, love your next one, love yourself, love what you do, love music and art. needing a bridge at this point nothing would be sweeter than a little excursion to the french touch sound and vibes of the late 90’s and early 2000’s. so, the a-side ends up with a question „shall i give love another try“…flip side „i’ll think of you” keeps this mood until „your soul” takes us slowly over to the final declaration of love „lullaby for daria“.

we introduce comfort zone, a young producer from montreal, who has been making music for around 7 years now. he is inspired by “music from late 90s/early 00s video game soundtracks and the occasional snippets of electronic music i heard as a kid”. we find that statement very much reflected in this release, as he masters the challenge of blending mysterious samples and different styles to form harmonious compositions. on one side of the 4-track ep we have 2 groovy house tracks, reminiscent of early 2000s house by the likes of lance desardi, ian pooley and atjazz, on the other side 2 classic jungle tracks which uphold our tradition of releasing timeless music.

following the release of ‘untitled mcr’ with his late friend marcus intalex, spirit returns to inneractive with two fresh cuts, ranging from the frenzied chopping breakbeat chaos of ‘murderer’ to the icy, acid-inspired moodiness of ‘cold call’. dj support from randall, doc scott, dj marky, storm, digital, dj lee, mantra, double o among others.

a musical partnership forged at the beginning of the millennium, ajit steyns and kate mcgill have developed a well defined and unmistakable sound as the untouchables. tribal rhythms drenched in dub, with characteristic nods to the breaks and rave stabs era of late 90’s dnb, their music has been an integral component of the darker half-time sound that has become more prevalent within dnb over the past 5 years. tempering the menace of their atmospherics with distinctive low-slung bass lines has made their music essential to dj’s championing this sound.
grey marbled double vinyl release.

a musical partnership forged at the beginning of the millennium, ajit steyns and kate mcgill have developed a well defined and unmistakable sound as the untouchables. tribal rhythms drenched in dub, with characteristic nods to the breaks and rave stabs era of late 90’s dnb, their music has been an integral component of the darker half-time sound that has become more prevalent within dnb over the past 5 years. tempering the menace of their atmospherics with distinctive low-slung bass lines has made their music essential to dj’s championing this sound.
black double vinyl release.

bucharest duo vinyl speed adjust return to visionquest. four tracks of the crystal structure/vsa bossmens signatur grooves, back & forth builds on the introspective motion and reputation of their previous visionquest eps retro and carpe diem: off & on is a tight weave of heavy atmospheres and swelling basslines, blue notes takes us up a gear thanks to a bassline that bumps with authority and a maze of rhythmic layers. deeper again we hit two more mystic moments: noek is deep, direct and driving while late shuffle flips the coin for a smouldering farewell. like all vinyl speed adjust eps it leaves you wanting more.

aaro dicosta ep is a debut for both the artist himself and the record label elossa records. elossa records is a record label ran by helsinki based dj marc fred. focusing on music with positive power – feel good dance music without strict genre restrictions. aaro dicosta is a long time producer with deep roots in funk, boogie and disco. aaro dicosta ep contains 4 melodic and powerful tracks for early mornings and late night shifts.

sugardaddy are a uk electronic music duo formed in 2006 and is the musical brainchild of tom findlay (one half of groove armada) and singer song writer tim hutton (hybrid, groove armada, way out west) “hypnotise- has an altogether late 80 s heavy, low slung, boogie vibe, caressed with beautifully haunting yet soulful vocals. greg wilson remixes an extended rework, holding the vibe of the original and effortlessly extending certain aspects of the groove, creating a 9 minute dancefloor monster! situation are next up with a late night, deep house dub interpretation which builds to a discoesque guitar licked, infectious, yet hypnotic bombshell bittersuite finish the release with a chunky funk fuelled version, full of slap bass and a bucketful of soaring, atmospheric synths, cleverly weaving those wonderful vocals and building to an electro jazz funk masterpiece.

vinyl only. paris-based meemo joins the inner balance fold with three breezy originals and a remix from the black tone, just in time for longer, warmer days. passage and soma both take a pillow-like backdrop of dubby bass and slowly evolving pads and cut it through with skippy hats and fat claps mellow yet driving to get things heated. keep movin kicks harder, jazzed up a little by its vibrant percussion, while toni be aka the black tone takes soma for a late-hours spin, conjuring one of those sustained moments of dancefloor bliss that we ve come to expect from this label.

seth troxlers club focussed label, play it say it, welcomes a master of stripped back and dubbed out tech grooves in the form of seb zito, while fuse boss enzo siragusa steps up to remix. a core part of the world-renowned fuse party crew, zitos distilled productions are perfectly functional, boasting the sorts of subtle charms that make them truly irresistible to legions of dancers. his warm sound has landed on the fuse and infuse labels as well as rawax and kaoz theory. he runs his own seven dials label and is as revered for his resident sets in london and ibiza as he is his studio sounds. the excellent on it opens things up with tightly coiled drums, adorned with bumping kicks that immediately get you moving. a soul infused vocal brings plenty of cool to the track whilst dreamy pads add warmth and depth. a dub is also included in the package for those darker, late night sets. both versions are sure to become club mainstays. remixing is enzo siragusa, the man behind the internationally renowned fuse brand and a driving force in the contemporary house and techno scene. he djs around the world, hosts parties across europe and is known for digging deep. his version is more zoned out thanks to the swirling pads, with the orignals vocal coming at you in a dreamlike fashion, as the knotted bass hammers home the groove. this is an essential release that is sure to go on to big things this summer.

alright... special, super limited white label featuring remixes of raf rundell lp favourite sweet cheeks first up, we get uk disco royalty ray mang amping up the electronic disco vibe with an energetic romp making full use of the vocal and all manner of discoid devices. on the flip brooks (late 90 s / early 00 s deep house hero) applies some of his sonic magic to two deep, absorbing re-rubs... literally a handful of these - so first come first served.

london s release/sustain imprint returns this may with the a says hello ep from detroit s alton miller, chaos in the cbd step in on remix duties. detroit s alton miller has been in the game for the past three decades coming up alongside luminaries derrick may, chez damier and the late frankie knuckles and releasing material on the likes of peacefrog, moodymann s mahogany music, theo parrish sound signature and clone amongst others. suffice to say, miller stands as an extremely important figure in the history of authentic, soul-drenched house music. title-track a says hello opens the package and as expected we re treated to an elegant slice of house infused with a flawless musicality as multi-layered synth chords, pads and swells intertwine alongside dusty drum samples. cool but so... follows, embracing an acid-jazz feel with broken, organic rhythms, sweeping pads and warm chord progressions throughout. mule musiq artists chaos in the cbd step up to rework cool but so... next, adding their own spin to things via warbling rhodes licks, bright chord sequences, a wandering bass line and an insistent organic drum groove. below the underdog then rounds out the package perfectly with gritty bass hits, tension building synth swells and a rugged, bumpy drum groove.

since so many european labels have been reissuing lost and obscure 1980s japanese ambient albums of late, it was probably inevitable that at least one label would put together a compilation paying tribute to the sound. it turns out that jazzy couscous has won the race with kumo no moko, a superb double album that does a terrific job in putting japan s 80s ambient scene in context. as you d expect, the majority of the tracks feature either dreamy electronic sounds or a mixture of acoustic and electronic instrumentation, with nods to jazz coming thick and fast. there are naturally a couple of fairly well-known names on show, but for the most part the compilers have done a terrific job in highlight lesser-known tracks from unsung heroes.

well crafted dark minimal bombs to be played during late mornings- are the perfect words to describe these nicely tailored tracks by up-and-comer nunes.
early support by: arpiar / mihigh

a new project from two anonymous aussie veterans. melbournes smouldering underground turns up two untitled cuts from bad channel, named for the faulty mixing console they were produced on, with a cheeky nod to mark and moritz. organic late night tracks, soulful and dub wise. they passed bradley zeros litmus test, so now they come to you cut deep on rhythm sections twilight sister imprint international black. the a-side keeps it spacious, a relentless stepper for the early hours. side b is music for autobahns, starlight soul for the post-club cruisers.

underground dance music from indonesia, for lovers of those sensual sounds and new era funk. struggling to get by in the luscious capital of west java, bandungs munir found a home in the rhythm of the citys funk.

next up on nang it is time for a slice of spot-on male vocal house and disco. liverpool based thomas lang made some fine albums in the 80s and 90s with john murphy (who went on to carve a highly successful career in movie tracks) and david hughes. somewhere in between that and a string of recent albums (“torch songs” and “the german alphabet”) he also managed to buy one of the finest recording studios in north west england, parr street studios (the “abbey road of the north”). we are pleased here at nang to see a new avenue turned in tom’s life, his first foray into the dance world. “scared” was written with late liverpool songwriter john uriel quite some time ago. it first emerged as a b-side to tom’s comeback single “august day” in 2011. here at nang we always loved the smooth and sophisticated vocal and melody. when tom suggested some remixes we were on board.

hitoshi murakami aka first floor debuts on local talk. opening track you dubn t know got a heavy bassline, deep chords and hypnotic textures and sounds like it was tailor-made for those dark and late after hours in the club. a righteous lesson in bumpin deep house... on the flip, delight , shows a different side. a piano driven house track with a great sense of melody that just keeps on keeping on - and that s a good thing.

rarefied return after a deliciously jazzy release from their sister label. this time label mainstay zygos is at the helm for a release that blends rarefied’s penchant for outer-national sample digging, trap rhythmic formations, and psychedelic soundfields for a three track ep that feels like some other-wordly vhs tape found in the woods.

welcoming a vibrant selection of artists to the label, rube goldberg series presents volume three. the music, intricately complex in its creation ultimately performs a simple task, much like the machines of the late r. goldberg.

four electrifying edits from london & paris based mytron & ofofo on the unstoppable razor-n-tape. beach buggy goes full throttle from the get go with a conga fuelled, disco jam before the clock strikes twelve and midnight drive offers up a low slung, late-night boogie cruise. on the flip side dreamy chords, soulful sweet nothings and synthesizer swells are the order of the day for elis coming, leaving capricorn to close out the ep with a bass heavy, intergalactic chugger. razor-n-tape can do no wrong, snap up on sight!

arcane patterns is a vinyl & digital label that encompasses kinetic body music by translating sacred codes, mathematical polyrhythms and dooming moods, catering to both the club and the home listener. shaped by the emancipatory energies of the hardcore/punk scene in their youth, berlin & mainz-based duo aphtc (aka kl.ne & cr&#926,,sc) now immerse themselves in the realms of bass-heavy club music, sonic fiction and syncopated hyperstition. limited to 300 copies with unique artwork which quotes the late great mark fisher, this 12- meticulously executes the modern-day uk techno/bass sound design with clean tensity and dread. don t sleep. the 12inch &#8243,,when grounds shift&#8246,, by the duo aphtc is a visceral trip into a sonic fiction, in which everything is out of balance. rhythms take over your sensory system in order to resonate in a new way and your muscles are tricked by spontaneous desires. while the intricate breakbeat on &#8243,,when grounds are shifting (the otolith is obsolete)&#8246,, create a dialogue with the genderless vocals samples, counterpointed by sudden strikes of visceral subbass, the jungle inspired b side &#8243,,gravity s pitfalls&#8246,, starts with clusters of atonal clouds peaking in a trembling bass drop followed by polymetric drum patterns that sketch spaces of radical autonomy. inspired by the intriguing aesthetics of the hardcore continuum and the sonic language of noise and bassmusic, this idiosyncratic record takes a great step forward to shape a colourful future.

houston-based “gulf coast soul” band the suffers, led by the powerhouse vocals of kam franklin, is a contemporary version of classic r&b bands earth, wind & fire, kool & the gang, the commodores and others. their critically-acclaimed 2016 debut led to performances on late night with david letterman, the daily show and npr as well as high-profile placements such as queen sugar, honda and kit-kat tv spots. with the release of everything here, their most bold statement yet, the suffers are bound to further endear die-hard fans and make believers of new ones. the vinyl lp is housed in a gatefold sleeve with download code included.

2018 repress , with the debut release selling out in a matter of days and a repress already flying off the shelves, rhythm section international present their second offering in the form of a remix ep, with reworks of al dobson jr. by polish rising stars ptaki and manchester mainstay ruf dug. eschewing the typical notions of a remix package, rhythm section international offers up 2 new tracks that didn’t appear on rye lane volume one, accompanied by 2 strikingly imaginative remixes. on the a side the polish duo of jaromir kami&#324,ski & bartosz kruczynski take al dobson jr’s tribal tom-tom rhythm and extend it into a sprawling disco epic, adding catchy keys and sensuous vocals that aim to tease the most reluctant of movers onto the dance-floor. ruf dug’s rework, named “ ruffy’s 3am canavan’s special” takes inspiration from one of many hazy late night sessions at the infamous peckham pool hall that is home to rhythm section. ruf dug, a rhythm section favourite and huge admirer of dobson’s beats, takes the gentle guitar strokes of the original and morphs them into metallic stabs, layered over an aggressive squelchy bass sound and sharp phasing hi-hats. this mantra is built upon in an effortless style typical of the mancunian producer and is as catchy as it is hypnotic.

deep / late night styled house... jazzy moods

the two stars, both superb singers who moved on to become award-winning actors, first worked together on a telethon in 1952, while dino was still half of the martin and lewis comedy duo. their friendship developed in the late 50s despite their widely differing personalities - dino developing an ever-increasingly laid-back approach, while sinatra proved to be sharp and frequently tempestuous. the two also bonded over their italian heritage. enjoy this lp including “ghost riders in the sky”, “south of the border” and many more!

glasgow s wheelman provides the tenth iteration of dba s dubs series, following a series of high profile releases on huntleys & palmers, studio barnhus, and his own stereotone label. signal is wheelman s most ambitious effort to date, its searing amen stabs and deep sub bass guaranteed to wreck any club, while floating pads and crystalline strings add a bittersweet moment of rave nostalgia to the breakdown. on the flip, in line with the dba dubs concept of pairing a house track from an up and coming uk producer with a remix by an established techno name from across the pond, detroit in effect provide a cold, bleep-drenched take which raises the tempo of wheelman s original to an almost breakneck speed. d.i.e, also known as cybonix, were prolific throughout the late 90s and early 00s on their own m.a.p. label and more recently on rotterdam s clone. to coincide with the release of the tenth edition in the dba dubs series the label are also making all ten original tracks available as a digital package, while all ten of the remixes from the series get their own bundle, with wheelman and basic soul unit providing a megamix of each edition respectively.

ltd 2018 repress , regraded, a sub label of midlands graded imprint focusing on more disco leaning 4/4 music. with just two releases to the labels name from newcomer hubie davison and midland himself, regraded has already enjoyed some substantial attention from the strength of the music. midlands double feature became an overnight summer anthem and hubie davidsons sanctified become a late contender for track of the year. for regrd003 midland is back in the fold with a double header certain to soundtrack all kinds of summer moments. on the a-side final credits takes centre stage with joyous samples and a vocal line that will melt dance floors. on the b-side, vigilante takes on a more reserved menacing persona. dreamy whirling synth lines accent rolling live percussion. both tracks continue the strong run of form the label has been on.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years with the much-anticipated follow up to backstreet brit funk. volume 2 has been eight years in the making and continues to showcase the best of the genre from the late 70s to early 80s, compiled once again by joey negro.

the wonderfully monikered golden flamingo was one of many labels operating alongside the now legendary p&p records imprint in late 70 s to early 80 s nyc. fans of deep disco, raw gritty soul and rare as hen s teeth electro and early rap know of the cult status of it s brief but influential output and in recent years the p&p label and it s associated entities have enjoyed further popularity through the exposure of it s music by some of the world s most respected dj s and selectors, and rightfully so. an amazingly lo-fi, endearing and overtly underground aesthetic runs through all of the labels, from the label artwork down to the music itself. this style is evident on margo williams epic god save and protect all the children , a colossally rare 12- from back in 1980.

tk disco the miami disco and boogie label, dominated throughout the 1970s and 1980s with back to back classics revered by dancers and disc jocks alike. it s no wonder the labels catalogue still gets played today and still makes people dance, inspiring new fans and the old school alike to hunt down the ubiquitous yellow labelled 12 inch singles with fervour. it s in this spirit that tk present some of the finest contemporary reworkings from their legendary catalogue, classics reimagined with todays dancefloor in mind, nipped and tucked in just the right way by some of the finest names to flirt with the discotheque. across 2 lovingly mastered and selected slabs of wax we have versions from dimitri from paris, norman jay, todd terje, late nite tuff guy, kon and danny krivit a truly allstar cast right there all showing their love for this sunshine state disco powerhouse. resplendent in original tk disco label art and with the classic palm tree sleeve this 100% legit and official selection of re-edits is now available for your disco dancin pleasure. dig in, and enjoy!

two sprawling sagas just in time for your summer… the fast-rising brazilian-in-barcelona known as terr takes time out from launching her new live show to touch down on planet correspondant. and she does so with two beguiling cyberpunk schematics. authentic down to the last wavy synth idiosyncrasies, both neuromancer and ‘multiverse extend the analog dialogue terrs been parlaying since she emerged on hotflush in 2016. the former swaggers with loose drum charm but swoons with sweeping synth emotion while the latter struts with late night neon fantasies and a stirring sense of synth triumph. both provide the same message: this is terr at her most adventurous, detailed and ultimately hopeful with its strong sense of sci-fi mystique. galvanised by insane levels of relentless cosmic funk from krystal klear on the remix, every track on this ep is guaranteed to spin you into a dizzy state of delirium. precision timing from cardinis correspondant, and yet another exceptional release.

one half of the kwc 92 (who has previously delivered two top notch lps for l.i.e.s.), swedish producer max stenerudh aka maxxx bass steps forward with a 9 track solo effort titled gone fishing. right off the bat we hear stenerudh immersing himself in a world of chilled out and narrative fm electronic explorations that call to mind places past. the untitled tracks leave it to the listerner to create a story on their own, as voice pads, hand drums and dare we say pan flutes push and pull their way through the album creating dreamlike textures and otherwordly escapes. ideal music to fall into a late afternoon summer siesta to. lp comes come with full color 22cmx28cm color poster and download card

its coming out on best italy, so you know you re in for a rarified treat from the dusty archives of pan european music. on this occasion the unstoppable reissue label has its disco hat on, serving up the raw cosmic funk of oro, recorded in naples and originally released in 1977. back then, this crucial cut was confined to a short 7inch edit, but best have pulled the stops out to track down the master tapes and execute a thorough remastering job on the full-length versions, now pressed to 12inch for your long-playing, disc-spinning pleasure. its a good thing these tracks came back into circulation they capture the best of the late 70s era in a cool, downright funky style that never gets old.